Her raw, intriguing sculptures, installations and drawings draw strength from vulnerability and tenderness in the face of relentlessness. In this exhibition, she is taking new steps on her artistic path, in search of the meaning of humanity, physicality, suffering and vitality. The themes in De Bruyckere’s work have a universal and timeless value. But they gain extra urgency in times when, prompted by an unknown pandemic, the need for human connection is greater than ever, while at the same time the body has become a danger to mankind.

De Bruyckere’s compelling sculptures have a long and complex creative history. Much of her work is constructed of wax, resin, rope, skins and canvas, which she sometimes exposes to the elements for years before incorporating them into her art. Despite their confronting character the sculptures cry out to be touched and stroked, and exude warmth and the tangibility of existence. It is this powerful resonance that has made De Bruyckere one of the most important West European artists, ever since the early days of her career.

These monumental works are inspired by the idea of an angel, as portrayed in myths, stories, literature and art history. Conceived in the loneliness and isolation of the corona crisis, the angel guards against a lonely existence and, even more importantly, against a lonely death. According to Berlinde, an angel – with its warm, dark wings – provides protection; a refuge from fear. It is a wonderful example of the fragile line De Bruyckere treads between artistic poeticism and engagement with current affairs.

Publication

The exhibition is accompanied by an artist’s book, published by Mercatorfonds in collaboration with the Bonnefanten, entitled Engelenkeel. It includes texts by Erwin Mortier, Zbigniew Herbert and Stijn Huijts. The book is available in Dutch and English from the Bonnefanten museum shop and online bookshops. ISBN: 978-94-6230-318-8.