Exhibition overview Four times Two with work by Shinkichi Tajiri, Four times Two (4x2), 1967, polyester, 100 h x 100 w x 40 d cm. Bonnefanten Collection. Photo Jonathan Vos
Four Times Two
Four times Two (1967), an artwork of four knots by the Japanese-American artist Shinkichi Tajiri, forms the trigger and the starting point for this collection presentation, which spans half a century (1965 - 2015). Tajiri’s exposure to racism and exclusion had a decisive influence on his life and work. As a young man he experienced war and hatred, and he yearned for solidarity.
Tajiri’s distinctive knot is a recognisable symbol of connection and unity all over the world. Bringing people together, however, is no easy task. It requires courage and an environment that does not recoil from things that are different or unfamiliar. And not everything can be solved just like that. Shinkichi Tajiri’s knot stands for that as well: the world is complex and confusing, and human relationships are often complicated.
Rhythm and transformation
In the rhythm and transformation room, visitors are first introduced to Shinkichi Tajiri's four-knot work. Rhythm can also be recognised in other artworks in this space. Together, they create movement.
Engagement & desire
Thomas Hirschhorn is represented in the engagement & desire - room. His installation is made from disposable materials. With it, he seeks a positive way to deal with everyday social and political issues.
(Un)justice & morality
Under the heading (un)justice & morality, a video installation by Paul Chan can be seen in a darkened, theatrical setting. In it, he reflects on artistic freedom, moral choices and the limits of the law. The work is inspired by the famous book by Marquis de Sade.
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